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Tenet 2020
This review may contain spoilers. I can handle the truth.
Christopher Nolan’s Tenet (2020) is a bold exploration of time and causality that challenges the conventions of action cinema. The film’s central concept of time inversion is both intellectually stimulating and visually stunning, delivering an experience that is as thought-provoking as it is entertaining.
John David Washington, acting as The Protagonist, and Robert Pattinson, acting as Neil, bring depth to their roles, navigating a story that unfolds in both forward and reverse time. The action sequences are meticulously crafted, with…
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I Still Hide to Smoke 2016
This review may contain spoilers. I can handle the truth.
À mon âge je me cache encore pour fumer (I Still Hide to Smoke) is a bold and emotional look into the lives of Algerian women in the confined but safe world of a bathhouse. Directed by Rayhana Obermeyer, the story unfolds almost entirely within a hammam, where women come to wash, talk, and escape the pressures of life outside. Fatima, the bathhouse owner, is a force of nature, struggling to keep order while each woman brings her own baggage…
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Tizoc 1957
This review may contain spoilers. I can handle the truth.
Tizoc, directed by Ismael Rodríguez, is a Mexican drama that delves into the tragic love between Tizoc, an indigenous man, and María, a creole woman from a more privileged class. The story unearths deep-seated themes of racial and cultural prejudice, with Tizoc’s purity and moral sincerity clashing against a society that misunderstands and shuns him. Rodríguez’s film is visually striking, using the lush, vibrant landscapes of rural Mexico to symbolize the natural beauty that Tizoc embodies.
Pedro Infante gives a…
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Zama 2017
This review may contain spoilers. I can handle the truth.
Zama, directed by Lucrecia Martel, is an adaptation of Antonio Di Benedetto’s 1956 novel. The film focuses on Don Diego de Zama, a colonial officer stationed in a remote outpost, yearning for a transfer. His requests are continuously deferred, leaving him in a state of bureaucratic paralysis and growing desperation, emphasized by the reference to a fish who is denied from the water in which it can survive. The film excels in building an overwhelming sense of isolation, with its…
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