you already know orsino asks viola to put that mustache back on sometimes
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In the Mood for Love 2000
a beautiful exploration of romance without the need to spell it out, intimacy without words. their connection is heightened through small touches and quick glances, highlighted in how we as the audience often see them through a mirror, window, or around a corner, not immersed into their world, but onlookers to their flourishing feelings. this style of camerawork also portrays the secretive nature of their relationship, hiding in a literal sense from their peers, but also hiding from the realisation…
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12 Angry Men 1957
i dont think a film has ever compelled me to open my notes app until now
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