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We Live in Time 2024
Stuart Bentley went all out with his decision on naturalistic lighting. May be the heaviest use of naturalistic lighting I've ever seen. Almost as much as A Pint and a Coke. That film used no additional lights, only practicals. Intriguing.
Didn't really hit emotionally as much as it should have. The concept was there. A few tweaks and it could be amazing.
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