A french new wave beauty, from one of the greatest directors who changed cinema into an smoked out Beatnik room exchanging humorous remarks of the existentialism of Jean Paul Satre and the Absurd world of Franz Kafka, such a statement of the New Wave with beautiful Anna Karina, displaying long shots, dialogues that Pulp Fiction took inspiration from, with remarkable screenwriting and experimentation that will go on reshaping film making forever. Bande A Part 10/10
