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The Zone of Interest 2023
This tidbit on the sound continues to blow my mind:
“To that end, sound designer Johnnie Burn compiled a 600-page document containing relevant events at Auschwitz, testimonies from witnesses, and a large map of the camp so that the distance and echoes of the sounds could be properly determined. He spent a year building a sound library before filming began, which included sounds of manufacturing machinery, crematoria, furnaces, boots, period-accurate gunfire and human sounds of pain. He continued building the library well into the shoot and post-production.”
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