JINarciso

JINarciso

Favorite films

  • American Beauty
  • Amadeus
  • The Green Mile
  • Midnight in Paris

Recent activity

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  • Nosferatu

    ★★★★½

  • Bicycle Thieves

    ★★★★

  • Small Things Like These

    ★★★★½

  • Wicked

    ★★★★

Recent reviews

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  • Saw X

    Saw X

    ★★★½

    Followers of the Saw franchise will undoubtedly see Saw X as a great return to form – a form that defined the indie horror genre for a generation of filmmakers and fans alike, including myself. And that’s something I’m very happy to say considering the two previous instalments in this franchise have been fairly substandard.

    Many of the technical elements that gave the Saw films their unique voice are all present here: we see an abundance of quick cuts, camera…

  • Sound of Freedom

    Sound of Freedom

    ★★★★½

    Sound of Freedom is by all means not an easy-watch. It’s a heartbreaking, visceral story that explores child trafficking and sex slavery in a way I think no other film has.

    Jim Caviezel leads the film as homeland security agent Tim Ballard. Caviezel’s approach to Ballard is to portray a man confident and competent in the field, but to layer him with a deeply rooted sense of justice, compassion, and empathy that defines and drives his character. He embodies the…

  • Dumb Money

    Dumb Money

    ★★★★

    Dumb Money tells the story of the GameStop short squeeze, and those who kept up with the news in 2021 will recognise it as the story of how one man on the internet propelled an entire movement against Wall Street. It’s a smart, funny, easily-digestible film that provides a lot of entertainment value in a relatively short runtime.

    The film is grounded by an ensemble cast who all bring their A-game. Paul Dano brings a lot of heart and authenticity…

  • A Haunting in Venice

    A Haunting in Venice

    ★★★★

    A Haunting in Venice is Kenneth Branaugh’s third venture into the world of Hercule Poirot, and while Death on the Nile was a little muddling for my taste, this was much more palatable.

    What Branaugh does exceptionally well here is create the right kind of atmosphere. The film has an alluringly moody, gothic tone that’s defined by dark corners, dim lights, and tight settings; dutch angles, handheld close-ups, distorted POVs, and wide-angle shots further add a distinct quality to the…

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