Enjoyed this. Artists coming together in solace and its emotional weight from reality makes it come together.
All before GTA 6.
Enjoyed this. Artists coming together in solace and its emotional weight from reality makes it come together.
All before GTA 6.
Upon seeing it again, I enjoyed it more. Filmmaking that’s been rightfully glazed up, down, and swallowed. A reminder on the ‘overlooked’ events of violence and hypocrisy, from native genocide to operation paperclip.
Felt much faster paced on a rewatch.
Justine Triet’s direction harkens back to 70s court room dramas, but ahead of its time in a modern documentary aesthetic that never interferes with its timeless cinematic beauty. Gorgeous lighting and zooms that serve as substance for the tone. Late-out of focus shots, zooms resembling a camcorder to real camcorder footage.
A beat is never missed nor does a scene feel out of place to me. Triet and Arthur Harari’s screenplay ventures in…