This might be Miyazaki’s best, or at the very least his most narratively interesting film.
The film feels no need to explain itself, and it ultimately works to its benefit, resulting in a kaleidoscopic exploration of theme and emotion.
It has lingered, and will linger for a while.
Some excellent cinematography, well-thought out twists and a cast of memorable characters make this a compelling watch.
A scathing critique of the Japanese post-war capitalist attitudes, and a keen display of how the boom brought out the worst in humanity.
This review may contain spoilers. I can handle the truth.
An innately cyclical portrayal of gentrification, loss and hardship that breaks through narrative boundaries to deliver something truly special.
The film begins with our lead (Martin) climbing onto a fishing boat for what we assume is a days work. He marches down the street, climbs into his work overalls and steers the boat out of the harbour, toward the beckoning sea.
During this sequence, there is a close-up of Martin's hand on the wheel.
It was when this shot returned…
This review may contain spoilers. I can handle the truth.
It's strange, a film can often have little impact on you after you've seen it, but as you think about as the days go on, and start to consider it in regards to what you understand about cinema, you begin to understand just how brilliant aspects of it were.
Portrait of a Lady on Fire was billed by everyone as a masterpiece, and so my expectations were high going into it, and I was ever-so-slightly disappointed. The film was very…
