JoaaoR

JoaaoR

Estudante de cinema e audiovisual

Favorite films

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  • Fellini Satyricon

    ★★★½

  • Fellini Satyricon

    ★★★½

  • The Great Beauty

    ★★★★★

  • The Great Beauty

    ★★★★★

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  • Fellini Satyricon

    Fellini Satyricon

    ★★★½

    Functioning simultaneously as an allegory and an ode to poetry, eroticism, sexuality, and the surrender to repressed desires, Fellini Satyricon showcases Federico Fellini in total and absolute command of his craft and crew in a bold and dreamlike adaptation of a first-century novel, which has survived to the present day only in fragments.

  • Fellini Satyricon

    Fellini Satyricon

    ★★★½

    Funcionando, ao mesmo tempo, como uma alegoria e uma ode à poesia, ao erotismo, à sexualidade e ao entregar-se à desejos reprimidos, Satyricon apresenta Federico Fellini em total e absoluto controle de seu ofício e equipe numa ousada e onírica adaptação de um romance do século I, que sobreviveu apenas em fragmentos à atualidade.

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  • The Brutalist

    The Brutalist

    ★★★★½

    With a beautifully structured screenplay and outstanding performances from the entire cast, The Brutalist is a powerful account and an emotional tribute to the arduous journey of immigrants and the myriad of challenges they face in their quest to establish themselves in a land entirely different from the one they once knew.

  • Emilia Pérez

    Emilia Pérez

    Incoherent, sloppy, and with laughable musical sequences, Emilia Pérez presents good intentions in depicting the story of a Mexican drug cartel boss transitioning genders. However, the execution and approach are a complete disaster. In addition to the fact that the story is set in Mexico but lacks any Mexican actors in the cast (instead featuring a Spanish actress and two Americans who fail to emulate Latino Spanish), the lack of depth in the once-promising titular character and the lazy storyline contribute negatively to the experience of watching the film.

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