Really nails the exact tone that I think of when I think of DC comics. Not exactly my bag, in terms of the corniness, but I thought the earnestness worked.

I tacitly avoided this for a long time because I didn't like how it was seemingly marked as a romp, I was weary of a pro cop slant that I feared would turn on cheap comedy; I'm sorry for giving short shrift to Spike Lee in my mind.
Spike inverts what this story is on the surface by building real tension and slipping into his signature poignant style at the perfect time (the dueling scene featuring Harry Belafonte).
Still, the…
“A rat done bit my sister Nell
With whitey on the moon”
-Gil Scott-Heron
There is a device in Nickel Boys where archival footage us used to inform the user when in time the next scene will take place. We see footage from the 1968 Apollo 8 mission then we hear one character tell another that a rat just ran across her feet. As an audience we're not only grounded in time, we're also grounded in the culture of the…
I'm just glad they made this before the term 'aura farming' was a part of the culture.
I've never seen this before, but given all the movies I have seen, this fit like a familiar set of house slippers. The music, the performances, the one liners, the blue of those 70s nyc cop cars, the movement of the camera, the aliases of the robbers . . . it's all classic.
Two things particularly stick out:
1. Never in the history of time has a tie been more yellow.
2. NYC is the only city in the world where you'd believe the number of one liners from so many characters.
This review may contain spoilers. I can handle the truth.
"She didn't see me."
It's heartbreaking to think this is Marianne's lasting memory of watching Héloïse at the theatre, Héloïse is seeing her in that moment, as she likely does every day.
The coda on this if beautiful, just as the entire movie is beautiful. It was so joyful to watch these characters get to fully experience being themselves.
So much can be said, so I'll offer a few stray thoughts:
While Marianne and Héloïse get to be themselves for…
This movies is so meticulously crafted and so striving that it invites every critique that can be levied. The high highs it reaches are transcendent and the intentionality of creating those peaks must be lauded. Meanwhile, the missteps it makes must be acknowledged and are so easily seen as a failure because you know the decision making that lead to those missteps was thought through.
I disagree with a common criticism that second half of the movie can just about…
"[T]he first feature length bouldering movie ever made"
"The Real Thing" is a testament to all that bouldering owes to Moffet and Moon. So much of how we climb and train today is on display in this artifact from the mid-90s. This film is completely rad, every part of it, even how dated it is.
Also, it's always wild to go back and see people bouldering without crash pads.
p.s. go check out current French sensation Oriane Bertone repeating Karma: www.instagram.com/p/CYuFbVaBWbC/