After decades of Warner Bros clamoring in the mediums of film and television to find something to do with the IP known as looney tunes, Pete Browngardt came along and said “hey, why don’t we actually just do Looney Tunes?” and whaddya know it’s pretty good!
The strengths, as with Browngardt’s HBO Max shorts, are stylistic. The character animation is often quite beautiful, and the decision to really lean into the looniness and extremity of it is delightful. Paired with…
