Joe

Joe

Favorite films

  • The 400 Blows
  • Ali: Fear Eats the Soul
  • Paris, Texas
  • A Nos Amours

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  • My Journey Through French Cinema

    ★★★★

  • Night and the City

    ★★★★

  • Snack Shack

    ★★★½

  • Fresh Bait

    ★★★

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  • My Journey Through French Cinema

    My Journey Through French Cinema

    ★★★★

    Simply lovely. Charmingly formless, following Tavernier's whims and passions. He highlights some obvious directors (Renoir, Carné), though not always in the way you'd expect. Those who like to geek out on technical stuff will dig Bernard's analysis of focal lengths and lens choices. Totally over my head but you've got to admire how animated he can get about stuff like this.

    Tavernier also defends some less fashionable directors (Claude Autant-Lara, for example) and spotlights some peers who don't get their dues. He makes a very convincing case for Claude Sautet as an overlooked great. My watchlist grew exponentially over the nearly 3 hour running time.

  • Night and the City

    Night and the City

    ★★★★

    Cinema trip #9 of 2025

    Fair to say I do a lot of Picturehouse-bashing here on Letterboxd, in my everyday life, in angry letters of complaint, etc. etc. But I do have to give them credit for dropping this into a film noir season, far from an obvious choice.

    I knew nothing about it going in, and was first surprised to see establishing shots of Tower Bridge, then again when Jules Dassin's name came up. What a great combination of…

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  • Helen

    Helen

    ★★★

    Wow, some Letterboxd reviewers take such joy in willingly missing the point. Helen is certainly a strange and quite difficult film, but it would be idiotic to suggest that the filmmakers don't know what they're doing. The acting is blank and non-naturalistic to an almost Brechtian level. Takes are long and slow, with lots of silence and deliberately bland dialogue. The cinematography at times reminded me of mid-60s Godard. The central idea is compelling and well-judged - heart-warming at times, but essentially quite creepy. It's not a great film, but it certainly has some interesting ideas.

  • The Wolf Knife

    The Wolf Knife

    ★★★½

    Utterly terrifying in a vague and intangible way: one very intense sequence aside, very little of consequence happens here, but it feels so loaded with menace throughout. I guess it's the stillness (eerily empty streets in an America where everybody drives everywhere; long stretches of silence punctuating rambling, inconsequential dialogue; strange, lumbering performances), supported by the grimy video imagery. I've seen comparisons to Spring Breakers which makes a certain amount of sense, but this is a far grubbier version of…

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