WE ARE BACK LIKE WE NEVER LEFT
Looney Tunes in the last 30 years had become oddly homogenized to be this weird Frankenstein creation of Chuck Jones imitation, Friz Freleng, generic cartoon-isms, and Space Jam Nostalgia. Every attempt to move the brand forward always fizzled out
- Live Action Hybrid Movies
- Flash Cartoons
- Superhero Revamp
- Suburban Sitcom
- CGI Shorts in-between movies
Most of these were following this Looney Tunes Marketing Brand idea of the series, all…

Whenever an animated series get's a theatrical adaptation that's not live action, it either
- goes soooo big that it's unrecognizable
- Sacrifices the foundation of the source material to appeal to a wider audience
-Tells a story that could be told in the show but on a larger scale
This film does the 3rd thing all the way through.
As a middle schooler, I'd watch the opening sequence and the Spike/Elektra fight over and over ad nasueum, because there…

The poster is the most asinine representation of the final product. I saw this on HBO Max and thought I was gonna be watching another Jackie Chan film like The Tuxedo, where Jackie is a buffoon & the director can't shoot action. But then I saw an Asian name in the credits for director, not to sound stereotypical, but when Jackie is with an Asian director, his movies are much better compared to the westerners....
This film has the tonality of…