In his actual bag this year.
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A Single Girl 1995
Fuck it, just film her whole eight hour shift in real-time, as long as it's Virginie Ledoyen, I'm binging that shit, I don't care.
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Fanny and Alexander 1984
Way too much time invested into an experience that is way too austere and cold for my taste.
Bergman's longer projects (this and Scenes of a Marriage) have such a detached, bitter outlook to its subjects that their overlong run-times make the suffering far outweigh its dramatic rewards and insights.
This also meanders and loses enough narrative focus that I'm desperately trying to find my way back to caring for the characters, and it's only rarely in-time for that stark,…
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