László Tóth truely encapsulates the archetypical “Great Man” Architect by being a self important, narcissistic, victimised, self destructive, philander who also unfortunately happens to be a genius.
In all seriousness this is only of the most beautifully shot films i’ve seen in a while, and while i think the performances are stellar, it’s the granular design choices that elevate the work.
Gives A Complete Unknown a running for most cigarettes smoked
tw: a lack of actual Brutalism