mymycece ☭ 🚩🏳️‍⚧️

mymycece ☭ 🚩🏳️‍⚧️

☆꧁༒☬✞ ꫀׁׅܻᝯׁᝯׁꫀׁׅܻ ɑׁׅ֮ꪀׁׅꪱׁׅ ꩇׁׅ݊ɑׁׅ֮ᥣׁׅ֪ꪱׁׅ꯱ׁׅ֒ ✞☬༒꧂☆
Bataillean frenetic revolutionary mystic

Favorite films

  • Love Exposure
  • Valerie and Her Week of Wonders
  • Guilty of Romance
  • Drive My Car

Recent activity

All
  • On the Beach at Night Alone

    ★★

  • Red Post on Escher Street

    ★★★★★

  • Love Letter

    ★★★★½

  • My Sunshine

    ★★★★

Recent reviews

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  • On the Beach at Night Alone

    On the Beach at Night Alone

    ★★

    I probably was not in the best mood to enjoy that film. Yet that pseudo realism is just soooo boring. If the main character can be somewhat iconic, everything’s reduced to mere psychology and liberal individualism, trapped in her own regrets. Sure such an entrapment and its meta filmic implications reflects the feminine condition and the trappings of misogyny. But that torturing the feminine subject by Hong sang soo is definitely no setting free; it’s completely egotistical and narcissistic. He…

  • Red Post on Escher Street

    Red Post on Escher Street

    ★★★★★

    Omg omg omg omg. 
    Ive been so scared at the idea that Sion Sono might have been some sort of Nietzschean idealist excessive transgressive fascist sucker filmmaker like all the shitty filmmakers of the grotesque and the unwatchable(Lars Von Trier, Gaspard Noé,…). I loved him too much to bear that thought. But fuuuuck here Sion Sono is at his most political in his most materialistic film, when analysing his own processes of production and alienation. He’s a real avantgarde for…

Popular reviews

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  • Helter Skelter

    Helter Skelter

    ★★★★

    The decors are so fucking stunning omg I wanna live in her apartment. I didn’t realize 2010-16 fashion could be this beautiful, but it made me realize its a fashion that’s indissociable from the decoration of living spaces and it makes so much sense. That’s why it always looks cringe in pictures taken outside. It’s an aesthetic that relies mostly on the decorated spaces of bedrooms and bathrooms for the private dimension and the malls, clubs or shows in its…

  • J.

    J.

    ★★★★

    Se prendre le visage dans les mains pour cacher et perdre le grand vide de la face. Se l’arracher pour montrer nos Pâleurs . Des intensités de mains et de bouches noyées dans un visage broyé. Bouche contre bouche contre bouche.

    Atteindre l’essence cinématographique où la matière et le mouvement en réaction se dissolvent et fondent l’un dans l’autre. Plus que l’affect et sa rupture, l’émotion c’est la mise en mouvement des organes qui se déstratifient. Les éclatements, les dissolutions,…

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