A strange ride from start to finish—led by Tilda Swinton and Michael Shannon, this post-apocalyptic musical about the lucky few living out in a bunker twenty-five years after essentially the death of the planet quickly finds its footing and asks a lot of questions: how do you feel knowing you’re the last of your kind, what do you do to protect what you have, and when do you accept an outsider?
I love an odd, weird, quirky musical—The End is…
A horror-comedy carried by the women—Edie Faldo, Lisa Kudrow, Parker Posey, and even Vivian Bang do more good for this film than anyone else. The script is okay—it says nothing all that new or interesting for the genre, and even boringly caves to making homophobic references to show the “age” of its demon.
The Parenting is fine if you want something to watch, but falls short when we’re not watching Falco, Kudrow, Posey, and Bang. It’s the women—and the female…
Snow White is a fantastic showcase of Rachel Zegler’s talent and would absolutely be a nothing burger without her. It is visually uneven, at times looking oversaturated and like Wanda Maximoff’s illusion orchard in MoM, with CGI dwarfs that venture into uncanny valley from the moment they’re introduced. Gal Gadot ruins almost ever scene she’s in—she is simply not a successful, believable actress, and playing evil is somehow unnatural for her, despite her politics. I would forget she was in…
This review may contain spoilers. I can handle the truth.
if the next Trumpian nightmare involved cloning Robert Pattinson, maybe I wouldn’t be too concerned…
Bong Joon Ho got an early copy of Challengers and recreated the scene none of us can stop talking about. Or the other way round. I love the beauty of threesome art. The beauty of how romantic it can be. Nasha and the two Mickeys sharing a moment on their mattress on the floor…I’m going to need someone to explain to me why Mickey 18…
