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Sweetness 2025
We connected with DP Mat Barkley to discuss the process of making SXSW official selection “SWEETNESS," proudly supported by Keslow Camera Toronto.
“We knew we were going to wind up in some situations where the extended sensitivity and dynamic range of the Alexa 35 would be a huge asset for us. I know there’s some great alternatives to Arri out there at the moment, but my comfort level with their colour rendition and overall workflow isn’t something I wanted to…
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Outerlands 2025
Cinematographer Lucia Zavarcikova, ASK, took us behind the scenes on the experience of shooting OUTERLANDS, and how Keslow Camera helped bring the project to life, for SXSW 2025.
“With over 35 locations in 'Outerlands,' San Francisco itself became a character in the film, and I knew I wouldn’t always have full control over lighting conditions. The [Sony Cine] Venice allowed us to capture our characters authentically in the streets, where our schedule didn’t permit extensive lighting setups. Rialto on the…
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When I'm Ready 2025
Written, produced by, and starring Andrew Ortenberg, "When I’m Ready," the feature debut of DP Rachael Kliman and director Andrew Johnson, is a young adult love story through the lens of the pre-apocalypse. Half road movie, half end of the world slice-of-life, the film follows Rose (June Schreiner) and Michael (Ortenberg), young lovers in a burgeoning romance, as they travel across the country to visit Rose’s elderly grandmother in the final days before an asteroid strike will destroy the planet.
Before the film’s streaming premiere, we linked up with cinematographer Rachael Kliman to talk all things “When I’m Ready.”
Read the full interview:
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Sunfish (& Other Stories on Green Lake) 2025
Written and directed by Sierra Falconer in her feature debut, Sunfish (& Other Stories on Green Lake), follows distinct slices of life, all centered around a small community based on Green Lake, Michigan.
In anticipation of the film's premiere during the 2025 Sundance Film Festival, we sat down with cinematographer Marcus Patterson to discuss making Sunfish, from handling boat scenes on the water, to hauling camera equipment down 80 feet of rickety wooden stairs.
Read the full interview:
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