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Artists never retire, they withdraw instead.

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  • Inside Llewyn Davis

    ★★★★★

  • Speed Racer

    ★★★★★

  • Trainspotting

    ★★★★★

  • Uncut Gems

    ★★★★★

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  • Inside Llewyn Davis

    Inside Llewyn Davis

    ★★★★★

    Inside Llewyn Davis (2013)
    Celebrating and mourning a bygone moment, “Inside Llewyn Davis” is a tuneful wake intended to arouse us from our slumber to desires worth remembering. It is confident and self-congratulatory in its ability to evoke unease or melancholia in a single cut, composition or camera angle.  

  • Speed Racer

    Speed Racer

    ★★★★★

    Speed racer (2008)
    Speed racer has the extraordinarily style down pat, and it’s sense of abstraction is what sells its vast race-fixing conspiracy lurking in the background of the plot. Full of action, it is complemented with comedy in charge of a little boy and a monkey. It heavily relies on overlong and death-defying races that are magnificently made by a 3D computer generator. Contrived beyond belief with spectacular races that play like video games, but slickly calculated to please 2000 audiences. 

    Overall, Speed racer has exceeded my expectations. 

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  • Kill Bill: Vol. 1

    Kill Bill: Vol. 1

    ★★★★★

    Kill Bill: Vol 1

    This phenomenal movie excels brilliancy in every single aspect. From the drastic dialogues to the gory scenes and the impounding aspect of seeking vengeance and revenge. It’s captured with a disciplined stunt choreography. Very impactful.

  • Trainspotting

    Trainspotting

    ★★★★★

    Trainspotting (1996)
    The screenplay by John Hodge has this incredibly intoxicating eloquence to it, and despite being aimless addicts, most of the characters have strong personalities, making them stand out. It is supercharged with sulphurous humour and brutal recklessness: it charges at you like Ewan McGregor’s Renton sprinting from store detectives in the opening sequence. 



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