Kim Ho

Kim Ho

Favorite films

  • Princess Mononoke
  • Pan's Labyrinth
  • House of Flying Daggers
  • Annihilation

Recent activity

All
  • Godzilla Minus One

    ★★★★

  • The Creator

    ★★

  • Rebel Moon – Part One: A Child of Fire

    ★½

  • Past Lives

    ★★★½

Recent reviews

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  • Godzilla Minus One

    Godzilla Minus One

    ★★★★

    A bunch of scrappy, loveable non-soldiers going up against an unfathomably powerful and existentially dreadful force-- I felt how I imagine Rebel Moon wanted me to feel.

    Believable and grounded visual effects; strong performances; characters we care about; elegant and moving story design. It's not trying to reinvent the wheel, its ambitions are quite modest, but it fulfils its mandate with integrity and a superb level of craft.

    --spoilers--







    I just wish the ejector seat reveal hadn't occurred through a…

  • The Creator

    The Creator

    ★★

    The Creator's visual splendour makes the betrayal of its derivative, techno-Orientalist narrative sting that much more

  • Rebel Moon – Part One: A Child of Fire

    Rebel Moon – Part One: A Child of Fire

    ★½

    What makes Rebel Moon so frustrating is glimpsing the shadow of something truly great, what the film could have been in the hands of more sophisticated storytellers. There's a gap in the zeitgeist for a space opera for adults-- in the lineage of Firefly & The Expanse but less heady than Foundation, something that could feel like Andor with gloves off. Unfortunately, there still is.

    There's so much to love here: unflinching depictions of colonial brutality; a droid with the grace…

  • Past Lives

    Past Lives

    ★★★½

    As an over-sensitive Asian living in diaspora, Past Lives seems to have been made for me. I went in ready to be emotionally RUINED, but instead felt a cloying sense of disappointment as the gap widened between the film I'd imagined from the trailer, and the film I was watching. Yet nor was I particularly surprised at anything; my mismatched expectation was all to do, I think, with tone. The quiet, almost assiduously understated nature of the film, its refusal…

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