This review may contain spoilers. I can handle the truth.
so so incredible
over the course of me trying to watch more of martin's work, i've realized one thing i really appreciate about his short films is that they don't attempt to say or do anything more than exactly what is presented on the screen. this is likely due to the artistry being moreso the process of the films creation, but it still has that great quality much of abstract art does wherein you are invited to participate so actively…
This review may contain spoilers. I can handle the truth.
i want so badly to love this because on paper it, conceptually, sounds like the most perfect thing in the world so utterly catered (ha) towards every one of my tastes. but i just. don't.
i don't know. it starts out really well, i think it gets a really good momentum going, it just kind of falls apart. quickly. i wish it had rested on its laurels for a little while instead of almost immediately breaking the looping immersion, i…
you guys do know blind people experience all movies as """""""basically podcasts""""""" by your metrics right.
either way if you're actively engaging with the film the blue screen does change, just not visually. the context of the color changes, as does your response to seeing it, in real time, which is why its such an ingenious choice.
beautiful film, favorite soundtrack of all time, fascinating diary entry in the life of someone gone long before i arrived.
