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The Passion of Joan of Arc 1928
What strikes me about the camera work and the often cited 'unique perspectives' is their relation to painting. Not just the composition of each shot, but the position of the viewer. The film kind of puts me in the position i would be in if i was looking up to an altar piece or other religious paintings, maybe from late renaissance: hanging several feet above me with the protagonists faces turned towards heaven. Also the striking interest im the human…
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