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Breathless 1960
Poststructuralist film noir. It's quite funny, when you think about it, that a French word was used to delineate a wholly American genre, a B-movie genre, one perfused with a kind of camp and a brand of cool, smoky and angsty nihilism that was, in essence, indigenous to the States. What's even funnier, really, is the person that turned said genre on its head was an intellectual introvert frenchman. It may seem stale now, but the subversive tactics employed by…
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