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  • The Ghost and Mrs. Muir

  • Au Hasard Balthazar

  • Contempt

  • Ugetsu

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  • The Ghost and Mrs. Muir

    The Ghost and Mrs. Muir

    This review may contain spoilers. I can handle the truth.

  • Au Hasard Balthazar

    Au Hasard Balthazar

    Sharon Cameron
    The Bond of the Furthest Apart
    Essays on Tolstoy, Dostoevsky, Bresson, and Kafka


    In Robert Bresson’s Au hasard Balthazar a young girl, who we discover is dying, looks on without expression, one might almost say without interest, or with interest dulled by her invalidism, from a supine position on a couch as the camera shifts to two still younger children, the objects of her attention: Marie and Jacques taking a pinch of salt to feed Balthazar, a baby…

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  • The Power of Speech

    The Power of Speech

    Luc Moullet
    kinoslang.blogspot.com/2011/06/cosmic-film.html

    The basis of Puissance de la parole (The Power of Speech) is the eponymous lyrical-scientific-metaphysical dialogue, written by Edgar Poe in 1846, between Oinos and Agathos, two angels (“in the period when we were mortal,” says Oinos) – from which Jean-Luc Godard takes 58 out of 149 lines, only replacing the word “ion” with “atom,” – and two pages of dialogue between ex-lovers in The Postman Always Rings Twice, written by James Cain in 1936, quoted in…

  • Contempt

    Contempt

    ANNE CARSON
    www.bu.edu/arion/files/2010/03/Carson-Contempts.pdf

    Homer’s odysseus is a man who wants to eat the world. He has an appetite for tasting, knowing, possessing everything he sees, he is a hero of acquisition, he is “one who knows profit,” as Homer says. How does Homer heroize this pragmatic person? He complicates him economically: there is a vexing of the question how ideal or honorable profit differs from greedy gain. Similar issues play out in two modern reworkings of the Odyssey, Alberto Moravia’s…