Extraordinariamente incómoda. Radiografía nítida de un personaje y su tiempo. Una buena crítica de una clase de persona: hombre heteronormativo, "clase media", individualista (o individualizado por su circunstancia), cómodo, demasiado autoconsciente en algunas cosas y muy poco reflexivo en otras, equidistante y narcisista.

Es difícil hacer una película tan acertada. Si no fuera capaz de pensarla con su irini, la odiaría.

The movie tries to be the Odyssey, but it's actually the journey of Oedipus.

Like some surrealists, this film is inspired by psychoanalysis. But no longer as a method, as a free association of signifiers (there isn't much of that), but as a family correlate. He seems to want to rebuild the Oedipal drama. And that is boring to me.

Although Phoenix acts as he knows best and holds the film on his shoulders, it would be great if a schizo story transcended the nineteenth-century assumptions of psychoanalysis.

However, that part related to the theater is... really good.

We finally got to see some other parts of the world.

Faith (Selena Gomez)

Other parts of the world: Florida.

This is as if Terrence Malik had converted to protestantism to make Christian propaganda which accidentally glorifies sinful life.

I'm not sure if this film is made ironically.