I think the overwhelming sensation I get from this is that Anger sells how sort of uncanny the image of Mickey Mouse is despite being the most popular and successful trademark on the planet.
Elsewhere Anger has expressed a frustration at the immediate commodification and softening of the character of Mickey -- Mickey used to be sort of a wood sprite or evil imp, like Geo. Herriman's Krazy Kat, in the films with Ub Iwerks in the 1920s. But by…