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Opus 2025
Opus is well-composed and confidently directed, but it never digs deeper than its surface-level weirdness, making its eccentricities feel empty rather than provocative. Ayo Edebiri is infinitely talented, but even she struggles against a script that keeps her performance strangely flat and restrained. It looks great and flirts with big ideas, but in the end, it’s just another remix of a song we’ve heard too many times before.
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Mickey 17 2025
Mickey 17 is an absolute triumph that brilliantly fuses inventive sci‑fi thrills with razor‑sharp satirical wit, elevating it to a must‑see cinematic masterpiece. Anchored by Robert Pattinson’s mesmerizing performance and Bong Joon-ho’s visionary direction, every frame bursts with creative energy and flawless execution, cementing its status as an unforgettable cinematic experience.
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The Strangers: Chapter 1 2024
"The Strangers, Chapter One" attempts to recapture the eerie essence of its predecessor but falls short, feeling more like a recycled imitation than a fresh take. Despite an promising premise of a trilogy arc, this first installment plays it safe, mirroring the original beat for beat without offering much in terms of innovation or depth. Thinly sketched characters and excessive product placements detract from immersion, leaving audiences craving something more substantial.
However, amidst its shortcomings, there are glimpses of potential.…
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Texas Chainsaw Massacre 2022
Mindy Meeks-Martin would have hated this film.
Beyond Texas Chainsaw Massacre's gore and neon aesthetic, lays an empty and utterly useless entry in the franchise. The script just feels like a SparkNotes version of Halloween (2018) and the third act is an absolute joke. While it is far from a perfect film, I did enjoy the practical effects that were used for the kills.
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