This is Aftersun meets All of us Strangers. This is poetry and grief and regret and hope. This is an unexpected gem destined to be a classic. This is trying to understand your history and at the same time trying to move forward. This is forgiveness. This is fear and love displayed in a way that is beautiful and delicate. Add it to your fucking list. Repeat.
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The Green Mile 1999
If Mr. Jingles is still alive today he’s probably pretty disappointed in us.
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The Funeral 1996
This is Ferrara’s Godfather. My favorite of his by far. It has all the essential elements of a classic mob movie and the existential dread of his other films. It’s hard to portray guilt in the way he manages, a mix of stark reality and the dreamlike nostalgia he’s known for. Nothing is black and white, right and wrong: there also exists the in between. There is also gray.
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