Hack screenwriter and aspiring networker!
Favorites are just movies I’m passionate about atm.
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21 Grams 2003
Iñárritu's Irreversible, playing on fractured memory and the inevitable finality of time and life.
A whole jigsaw puzzle that never really feels cohesive or consistent but it is better that way. Reminds me of how films like Diamonds of the Night disentangle fragmented human memory in separate little vignettes within vignettes. A confused and weathering thread that never loses its momentum but shifts its rhythm multiple times to exemplify the ironies and tragedies at work here.
From what I've seen…
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Babylon 2022
Sorrentino’s hedonism by way of PTA’s vibrancy.
Truly a divulgence in excess and the Hollywood stardom complex. While it can be quite cheesy at times it is forgiven by how pure it is, simultaneously capturing the decadence of Hollywood, the façade and manipulation of art, but also capturing the magic and technical uplifting battles of the industry itself.
Glorious to see this coked up rollercoaster ride unfold with an ending that takes me back to the whiplash experimental direct editing of Irma Vep’s final minutes.
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Come and See 1985
Intro with Ari Aster
“I hAvE a qUeStiOn oNly the LEgEndAry fiLmAkeR aRi aStEr cAn aNsWer”
We booed this knucklehead from his generic ass question of “aNy aDvIcE fOr an aSpIrIng fiLmmaker” Said Numbskull was on his phone the entire movie and once it was over harassed someone for shutting him up and got into two fights. He ripped someones shirt. The other man was shirtless for like 15 min didn’t even realize when he got a new one.
Especially…
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Megalopolis 2024
Francis I love you but this was fucking torture to watch. I spent 50$ today on this movie for you. I have spent so much on coppola wine I should've been given a producer credit really. I did the math in my head and realistically I paid for at least three days for one PA on set. Like this was so fucking dumb. I don't really understand the vision, what it's trying to say, anything about it. It was emotionless…
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