The hard cut from the party chaos to the tilted interior shot of the car while John Meyer’s “Free Fallin’” softly plays in the background had me laughing so hard. An inspired and hysterical look at suburban bro’s who find solace in Kroger parking lots and have deep seething problems with women. Eerie in its accuracy, masterful in its understanding of all the finer nuances of late 2000s ramshackle Windows Movie Maker cinema.
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Triple 9 2016
Relatively attention-keeping while it unfold, but there’s so much potential left on the table. Visually alone Triple 9 needed more precise camerawork and blocking, not to mention much more tactile imagery to lend tangible urgency to its grimy crime yarn. An overly tidy ending that leaves moral allegiances between characters crystal clear concludes things on an underwhelming note while Casey Affleck’s very specific checked-out energy is a dismal fit for his character.
Watch Gal Gadot try and act against Chiwetel Ejiofor and Kate Winslet is like watching George Burns trying to outdunk Michael Jordan.
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