This one is a film of contrasts, and it knows it. The Corleone family under Vito has a kind of disturbing, almost appelaing warmth to it, Michael's "family", if you can even call it that, is cold, isolating and terrifying. Vito didn't allow any talk of business at the dinner table, Michael (by the end) has no one at his dinner table. Vito commanded a respecting, human kind of fear, Michael instills a more visceral, monstrous terror. Even the location…
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Singin' in the Rain 1952
Always remember to wear your tap dancing shoes to your diction coach
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