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  • Mickey 17

    ★★★

  • Mon Oncle

    ★★★

  • Kes

    ★★★★

  • Make Way for Tomorrow

    ★★★★

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  • Hud

    Hud

    ★★★★★

    Fascinating to watch all of Newman's charm and charisma poured into such an arrogant, self-centered, unprincipled Western rogue; it's a richly callous but magnetic performance, and the cowboy details are spot on - no wonder he was nominated for Best Actor that year.

    Neal is similarly fabulous as a warmly attractive and no nonsense counterweight to his swaggering depravity (and she won Best Actress); Melvyn Douglas is understatedly terrific too, as an elderly father/rancher trying to hold onto his upright morals. This film is rock solid throughout, even in its accumulating bleakness.

  • Flow

    Flow

    ★★★

    Finds an unexpectedly rich aesthetic place between animated realism and exaggerated Hollywood cartoon. With plenty of nuanced cat movements and behaviors for the cat lovers.

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  • The Brutalist

    The Brutalist

    ★★★★

    Tremendously subtle and complex, and an unflinching gut punch to the American dream. Adrien Brody carries the film with his sensitively nuanced presence, and will deservingly be a Best Actor Oscar nominee or winner. Excellence in plenty of other areas, including score/sound, cinematography, even graphic design. Guy Pearce is also a standout as the arrogantly self-centered industrialist. I'm a sucker for architecture movies filled with scenes of drawing and building, especially when the architect has to openly fight the client,…

  • The Clock

    The Clock

    ★★★★★

    Knowing the premise and having seen a few short clips (of different times of day) in the past, I was happy to get to spend a longer chunk of time with Marclay's work this afternoon. It really is so very smart, mixing a cinephile's love of film history, actors, scenes, sets, and moments (it's hard not to try to identify each clip, and when a famous one comes along, it's like an old friend) with an artist's overarching conceptual framework…