Judas Int’l.

Judas Int’l. Patron

Friendly neighborhood chaos goblin
Aspiring Hollywood demimonde 
Potentially just a CIA shell company

Favorite films

  • F for Fake
  • Nashville
  • Southland Tales
  • On the Silver Globe

Recent activity

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  • Midnight Express

    ★★★½

  • TÁR

    ★★★★★

  • Godzilla: Final Wars

    ★★★★½

  • Alison's Birthday

    ★★

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  • Salò, or the 120 Days of Sodom

    Salò, or the 120 Days of Sodom

    ★★★★

    “A world full of Marvel and Netflix just puts Pasolini’s desire to make art so extreme as to reject easy consumerism into so much perspective, ya know?” he said, and put his Criterion edition of Salo on the shelf with the others, all lovingly arranged by spine number. “This film is more important than ever.”

  • Salò, or the 120 Days of Sodom

    Salò, or the 120 Days of Sodom

    ★★★★

    “Well, it's a hell of an act. What do you call yourselves?”
    “The Aristocrats!”

Recent reviews

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  • Godzilla: Final Wars

    Godzilla: Final Wars

    ★★★★½

    This isn’t, at its heart, a Godzilla movie. It just uses Godzilla the way it uses every other of the myriad concepts in its arsenal (from sources like The Matrix, X-Men, Fast & the Furious, Independence Day, Star Wars, X-Files to nascent Internet culture, reality TV, WWE, heavy metal) to create what might be the ultimate parody film — finding room to appropriate (and then make dance for dollar bills) basically every pop cultural signifier worth a damn in 2004. This…

  • Alison's Birthday

    Alison's Birthday

    ★★

    A bland, ‘70s drive-in version of better movies (Rosemary’s Baby, Hereditary, The Haunted Palace, Suspiria, really any schlock where the heroine needs to be rescued off an altar during the middle of a Satanic ritual in the final reel…) But it has the same ending as the 2005 film The Skeleton Key, which freaked me out then and freaks me out now.

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  • Until the End of the World

    Until the End of the World

    ★★★★½

    A sci-fi romance that sacrifices overall formal perfection for sheer epic scope and moments of deep emotional resonance, whether they be humorous, heartfelt, tragic, or purely hypnagogic. At five hours long (only watch the director’s cut, please), logically I should be wanting to write an entire wall of text about why I love this movie so much, but words fail in the face of it — seem entirely pointless in fact. In that respect, the moral of the story feels like…

  • Deadpool & Wolverine

    Deadpool & Wolverine

    ★★

    “Superhero movies remember what three-act structure is challenge” difficulty level impossible.