Florida-based designer.
Former programmer at the Maryland Film Festival, ‘18–‘20.
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The Last Picture Show 1971
I’m sorry, but I seem to only be able to muster the stamina to write reviews that are more like diary entries now.
First time I saw this, it was on in the background at one of my earliest college parties. I was a neophyte in the realm of movies and hadn’t seen a true work of the New Hollywood. I also hadn’t learned to decipher the difference between a ‘50s movie and a ‘70s one fashioned on the period.…
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Recent reviews
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Buffalo '66 1998
Recommended for viewing at 8:30 PM with cheap coffee and a cookie, on a night between the Super Bowl and Valentine’s Day.
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Angel Face 1952
So cozy and entertaining a melodrama for being such a potent stew of misogyny.
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Popular reviews
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Swarm Season 2019
Challenging our expectations of how an environmental documentary should look or sound, Sarah Christman’s Swarm Season draws connections between microscopic views of bees linking arms and the honeycomb-like hexagonal mirrors that make up the reflective grid of a telescope perched atop one of Hawaii’s most prized natural sites. Covering subjects as seemingly disparate as beekeeping, indigenous-led activism, and interplanetary exploration, this utterly unique vision offers up an incredible sensory experience, en route to grand comparisons between the societal structures of…
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PlayTime 1967
From my first 35mm viewing, to my 360p avi rewatch, to my perpetually buffering FilmStuck streaming, to my I-finally-bought-the-box-set revisits, Tati’s delightful jab at the modernizing world is more fun and life-affirming upon every return. 70mm may have been how it was intended to be seen, but really, it shines brilliantly through any format.
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