From InRO’s Best of 2024 feature:
As discursively, obsessively set piece-driven — set pieces of sounds, cuts, and camera movements — as 2001: A Space Odyssey, Eduardo Williams’s The Human Surge 3 is inextricable from its technical background. The warp of its lensing points to its source material: 360-degree footage re-directed via VR headset, a method that would be a mere gimmick if not for the ecstatically unruly, unpredictable, and oneirically suggestive performers that waypoint and wander through its frames,…