At times, human beings can become prisoners of their own ambition, choking on their desire for greatness. If nothing else, this is a delirium of the human psyche, creeping into our thoughts and corroding us from within. The obsession with dominance, and the arrogance that accompanies it, inevitably leads to the sickness of the spirit and the corruption of the soul. Thus, the Greek concept of hubris emerges as a cautionary tale—excess and arrogance must be avoided. Power blinds, and…
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Twin Peaks 1989
The best series ever?
I still can't answer yes, because I've only seen season one and two and there are many interesting series out there that I haven't seen. However, I can say that it's the best (in series format) that I've seen so far.
In just 3 days I've managed to watch the 30 episodes that make up the first two seasons of the series. Although it may sound like an obligation, it's far from reality. I've enjoyed it…
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Valmont 1989
Although I'm not a huge fan of romances, I feel this one is completely different.
Milos Forman once again directs an elegant and sophisticated piece, this time much more erotic and seductive, with a set design even more marvelous than Amadeus (1984), which was already one of my favorites. In fact, this focus on sets led to the decision not to compete against Frears' Dangerous Liaisons to see who would release their film first, after both films were found to share…
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Ring 1998
The cinematography is minimalist and effective, with muted colors that amplify the sense of decay and unease. The plot, revolving around a cursed videotape, is simple but captivating, keeping the audience engaged as the mystery unravels. The horror elements are subtle but effective, with the iconic image of Sadako emerging from the TV being a standout moment.
However, the editing didn’t quite work for me. Some transitions feel abrupt, and the pacing can be uneven, disrupting the tension at times. While the film builds a strong sense of dread, it occasionally feels repetitive in its “scares”.
Overall, a solid piece of horror cinema.
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The Double Life of Véronique 1991
Kieslowski in his book:
"This is a film about sensitivity, premonitions and irrational and difficult to name relationships between people. You can't show too much: the mystery disappears. You can't show too little: no one will understand anything. (...) No I say that this film has to appeal to everyone. On the contrary, I think it is a film for a specific group of people (...) Those people are found everywhere: among the intellectuals, the workers, the unemployed. students or…
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The Sacrifice 1986
''Offret'', directed by Andrei Tarkovsky, stands as a pinnacle of cinematic artistry, weaving together profound philosophical themes, exquisite cinematography, and a hauntingly poetic narrative. Tarkovsky's final masterpiece, released in 1986, unfolds with a deliberate pacing that demands contemplation and rewards patience.
At the heart of "Offret" lies a deeply existential exploration of humanity's response to existential crisis and impending doom. The film's protagonist, Alexander, portrayed with poignant vulnerability by Erland Josephson, grapples with a world on the brink of catastrophe.…
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