Guadagnino should give Chalamet roles in which he eats fruit and fucks people, not vice versa

Possibly the best ever script in a movie. Every line dripping in desperation and manipulation, dialogue is razor-sharp, thanks to the impeccable Jack Lemmon and Al Pacino. GOD are salespeople the worst l

An intense claustrophobic character study of the most polarising of american presidents. Who could better portray Nixon than Philip Baker Hall, who gives a ferocious one-man show monologue embodying his bitterness and paranoias. The most minimalistic of Altman’s directions, the camera lingers on Bake Hall, whose energy does not carry the film, but IS the film.

I usually hate biopics—they’re easy to get wrong—and I’ve got Timothe Chalamet fatigue, but A Complete Unknown is a wonderful nod to Bob Dylan. Chalamet’s portrayal of Bob Dylan is superb, capturing his essence without feeling forced. What makes the film stand out is its focus on Dylan’s music, letting the songs drive the story. A rare biopic that gets it right, even for skeptics.

Horrible movie. Has more cliches than a Maltese grandma. There’s no way anyone that follows Formula1 can tolerate the stupidity of what’s being proposed as a movie supposedly celebrating a sport.

The Book of Job is the only book in the Bible worth reading—a raw, unflinching wrestle with suffering, fate, and the silence of the universe. After Hours feels like its modern, manic cousin, in the neon-lit labyrinth of 1980s New York.

After Hours is a brilliant, unhinged riff on enduring the unendurable, a cinematic fever dream that proves Scorsese can play in the absurd without losing his edge. If you crave a film that’s equal parts hilarious and harrowing, this is it.

Scorsese’s most quotable movie.

Another lean Soderbergh thriller which is completely stripped of any fat, delivering a story that hits hard and fast. Loved the fact that Black Bag offers a refreshing counterpoint to the cynicism related to the toughest jobs; if in Heat, De Niro and Al Pacino’s characters suggest you’ve got to be heartless in their world, Soderbergh’s movie climaxes into believing in love and marriage, amidst the chaos of its high-stakes espionages. Also, best interior design since Parasite.

Love watching classics that live up to that name. Great chaotic energy, iconic one-liners, fourth-wall breaking humour skewing racism. One of the wildest comedies of all time.

I finally saw The Witch! A great way of making horror, where there is no reliance on cheap jump scares or over-the-top gore, but an overwhelming sense of dread for which the ambience is absolutely critical. The eerie atmosphere in seventeeth century new england makes it authentic, together with the historical detail given to dialogue and costumes in this puritan family. 
I probably prefer the more polished Northman and Nosferatu, but they would not have been budgeted without The Witch.