Traumático to say the least
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The French Dispatch 2021
Wes Anderson has reached maturity and it's frenchy, courageous and feels like raging erotica.
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The Man Who Laughs 1928
One of the saddest I've ever seen, but not as sad as the book.
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Battleship Potemkin 1925
Are you the editing God?
Eisenstein just matches perfectly the contradictory universality and particularity of people. The masses are unbereable flows of mouvement that follow paths and desires as an organized whole. But it doesn't end up there. The inquiring lense of the camera is able to perceive the individuality that hides behind the screaming faces of the revolutionary masses. It shows the world, both from the exterior and the interior, both from the macro and micro perspectives, both from the huge roaring assembly and the desolated cry of solitude.
This film put a bullet in my head.Translated from by