“How often we ask for genuine experience when all we really want is emotion.”
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Light Sleeper 1992
One could pity Schrader’s transparency about his cinematic influences and the experiences that fuel his creative output because it simply leaves him too exposed to repetitive criticisms, but in my case it also leaves me throwing him repetitive praises. The Pickpocket ending consistently works in his films not because he tries to earn it, as if the Bresson reference is something he should live up to, I don’t even feel like one could call it copying. Rather than writing a…
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Marie Antoinette 2006
Atrocious soundtrack. It’s a dangerous game to let your film lean on iconic songs to hit certain emotional beats, but massacring the 5 minute opening track of one of the greatest albums of all time to fit into a 40 second scene is an abuse, and it doesn’t help how poorly they chopped the intro with the outro. Outside of what they did to Plainsong, the scene with What Ever Happened, yet another iconic intro track to another era defining…
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Blonde 2022
It’s a shame the conversation around this film has gone the way it has, because I really was losing interest in watching it. It is hard to describe this picture’s beauty when I know that a negative reaction is expected and even probably asked for. However, what happened between Andrew Dominik, Ana De Amas, Nick Cave, and Warren Ellis, is true magic.
Blonde is a devastating and often surrealist flowing of loose narrative, that shifts it’s dreaminess between fantasy and…
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Poor Things 2023
This review may contain spoilers. I can handle the truth.
Without getting overly emotional, this is the reason I love and live for cinema. In many ways, film was my Zarathustra, the vessel that helped me find my way in the world when the old methods I was raised on no longer meant anything to me. I found meaning on the screen and with it I rose to the challenge of the life before me. My life that I only recognized as truly my own with the help of Kubrick,…
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