Matthew Koss

Matthew Koss

Favorite films

  • Before Sunset
  • Bridget Jones's Diary
  • Twister
  • Capote

Recent activity

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  • The Knife

    ★★★★

  • Roald Dahl's The Witches

    ★★★

  • Stranger by the Lake

    ★★★★½

  • Dazed and Confused

    ★★★★½

Recent reviews

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  • The Knife

    The Knife

    ★★★★

    Powerfully directed, expertly performed and incredibly claustrophobic. I caught a screening at SBIFF and the whole audience was enraptured in the films ambiguity and sucker punch of an ending. A fantastic directorial feature that promises an exciting career for director/writer/actor Nnamdi Asomugha who leaves so much of the central conflict in ambiguity that he places you into the center of investigation orchestration and racial discriminatory preconceptions. Melissa Leo is really fantastic in yet another cop role, but her casting is…

  • Roald Dahl's The Witches

    Roald Dahl's The Witches

    ★★★

    Review from www.thewanderingscreen.com

    The Wandering Screen

    The new adaptation from the reliable Robert Zemeckis, who brought us Back to the Future and Forrest Gump, is an entertaining and confounding ride. The story has shifted from England in the 1990 film version starring Anjelica Huston, to Alabama in 1968. It begins with Hero Boy (Jahzir Bruno) moving in with his grandma (Octavia Spencer, warm, biting, and lovingly wholesome) following the death of his parents. 

    With Hero boy traumatized by the accident,…

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  • Stranger by the Lake

    Stranger by the Lake

    ★★★★½

    Sure, this is a great thriller that slowly unveils its unsettling mystery, reminding you why you should do your research on whoever you’re sleeping with.  But as a closeted, late teen-year-old whose repressed and unexplored sexual energy heard a thing or two about how this movie had an R rating and graphic male nudity... this was fucking awesome 😉

  • Luce

    Luce

    ★★★

    The film had all the makings of a complex, anxiety driven family drama but incorporated too many ideas. The simplicity of the story is what would have elevated the performances, but including plot details such as Luce being a former soldier were never paid off or necessary. If it was never mentioned that Luce was adopted after that particular situation in his life, the story would be no different in how it unfolds. Fortunately, all the performances elevate past these details and we really see Naomi Watts and Octavia Spencer digging into their characters. 

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