In one sentence: It was fine but I expected much more.
At least more than a mixture between Snowpiercer, Moon, the Star Trek episode "Devil in the Dark" and a Jerry Lewis movie.
Even if it is mostly entertaining.
First off; Robert Pattinson was really good in it, in how he managed to portray the different Mickeys in different ways. However, Steven Yuen was underutilized, Mark Ruffalo felt like Wayne Newton doing a Trump impersonation, Toni Colette seems relagetad to…
This movie sure gives you a run for your money by packing it's 200+ minutes runtime with plenty of topics, such as antisemitism, addiction, sexual assault, alienation, separation, etcetera.
While doing it, there is some marvellous cinematography to be seen, as well as wonderful performances from Adrien Brody, Felicity Jones and Guy Pearce (even though he comes off as Carter from Family Guy, at times). Granted, I wouldn't know what a hungarian accent is supposed to sound like, but Alessandro…
A horror comedy that doesn't know whether it wants to lean more into horror (like An American Werewolf in London) or more into comedy (like Braindead) and instead just forces jokes and gore into stylized action sequences. Other than that, it's a bit of a mess.
And I was looking forward to this one.
As someone who is neither a huge fan nor a hater of Bob Dylan, this is my breakdown of what this rather formulaic biopic had to offer me:
1/4 of women reverently watching Dylan compose future classics in his briefs after sex.
1/4 of women dolefully watching Dylan perform future classics one stage in concert.
1/4 of the wreck of Johnny Cash convincing Dylan to piss off a field full of white kids by playing them future classics instead of…
