everyone should take a shot whenever glinda and elphaba are being gay
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Memoir of a Snail 2024
the “made by human” during the rolling credits gagged me fr
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Late Spring 1949
Late Spring (1949) exemplifies Yasujiro Ozu’s delicate approach to the shomin-geki, a genre of Japanese realist films that focuses on the everyday lives of ordinary or middle-class people.
Through a mundane tale of Noriko (Setsuko Hara) and her father, Shukichi (Chishū Ryū), the film presents a nuanced portrayal of generational conflicts as well as the clash between tradition and modernity. On the surface, however, the central theme of “Late Spring” is marriage: specifically, the persistent attempts by several characters in…
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