Mathew Brigham

Mathew Brigham Patron

The Irrefutable Mathew Douglas Brigham

Favorite films

  • Casablanca
  • The Blade
  • Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
  • Yi Yi

Recent activity

All
  • Under the Silver Lake

    ★★½

  • The Brutalist

    ★★★★

  • Shiva Baby

    ★★★★

  • Anora

    ★★★★½

Recent reviews

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  • The Brutalist

    The Brutalist

    ★★★★

    Definitely flawed and onconsistent but with loads and loads to admire. Brody is stunning, the There Will Blood 2 stretch is almost as good as the original There Will Be Blood. Felicity Jones represents for Birmingham and Guy Pearce hams superbly. Visually it's 10/10 similarly in terms of sound, the score is masterful. The main let down is a plot that makes it feel like two very different movies smushed together and there is a ludicrous piece of recasting at the end, which upset me far more than it probably should have done. Nearly a masterpiece

  • Shiva Baby

    Shiva Baby

    ★★★★

    After really not enjoying Bottoms (as one of thebonly people who didn't I suspect the fault is with my sense of humour not the film, or you're all wrong?) I didn't come into this with great hopes. But ye of little faith! Shiva Baby is fabulously awkward, superbly filmed and acted, and just a bunch of fun.

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  • Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

    Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

    ★★★★★

    A genuinely unique and utterly affecting piece of film making. It may or may not be the greatest film of all time, but I wouldn't question anyone argueing that it is. A piece of art that one needs to commit to but if one does it rewards in spades.

  • Blitz

    Blitz

    ★★★

    This is so close to something really special. An excellent first half made of emotional slice of life snippets of the time and superb musical interludes gives way to a somewhat contrived adventure movie that drags and doesn't quite work. Rarely would I suggest editing Stephen Graham out of a film but the arch around his character doesn't fit and kills the momentum. A typically tour de force performanc from Saorsie Ronan carries the emotional heart of the film superbly and the music is great.

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