Sickening Oscar bait, not unlike Conclave.
Best part for me was when Brody (The Brutalist) upbraids some other guy for being the source of “everything cruel and ugly.” As if brutalist architecture doesn’t cruelly impose its inherent ugliness on every public space it forces its way into.
Like is the film aware of how garish the aesthetics of its central project are? It seems like it is for a second when it cuts between beautiful architectural flourishes in Venice (to…