When Bong Joon-ho decides he's more interested in making movies than didactic sociopolitical arguments again, let me know.
Now, none of Bong's prior movies are what I'd call "subtle." And I regard it as a strength of e.g. Snowpiercer and Parasite that they weave his uncompromising anticapitalist arguments into suspenseful stories with kinetic setpieces. So my problem with Mickey 17 isn't that he's ramping up the didacticism. (Or, rather, it's not my main problem with Mickey 17, which is incredibly…