I still remember very clearly how speechless I was coming out of the cinema at the time: "Sin City" had developed a unique style of combining comics & cinema in a new way the year before: In 2007 "300" went one step further.
But both films share the problem with such an extreme look - they haven't aged particularly well.
"300" is still visually stunning and impressively choreographed - Snyder's penchant for slow motion and time-lapse is maximally effective here, and…