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Favorite films

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  • Wuthering Heights

    ★★★★

  • Finian's Rainbow

    ★★½

  • Home Alone

    ★★★½

  • The Brutalist

    ★★★★½

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  • Wuthering Heights

    Wuthering Heights

    ★★★★

    "Heathcliff, it's me, I'm Cathy, I've come home, I'm so cold—let me in your window." (Kate Bush)

    Having had this song stuck in my head for years leading up to the film—and joyfully singing it while making popcorn—I was completely unprepared for the sheer horror of a Wuthering Heights adaptation that barely has any music at all. And I mean that in the best possible way.

    This was my first encounter with Wuthering Heights in any form, and what a…

  • Finian's Rainbow

    Finian's Rainbow

    ★★½

    Before he gave us The Godfather, Apocalypse Now, and The Conversation, Francis Ford Coppola gave us… Finian’s Rainbow. That’s right—one of cinema’s greatest directors once found himself directing a leprechaun musical with Fred Astaire and a half-baked attempt at social commentary.

    Now, is it a masterpiece? Absolutely not.
    Does it feel like an overambitious mess? Very much so.
    Did I still have some fun? …Well, kind of.

    Let’s be honest—without Burton Lane’s soaring melodies, Hermes Pan’s dazzling choreography, and the…

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  • Emilia Pérez

    Emilia Pérez

    ★★★★★

    Ah, yes. Emilia Pérez. The film that dares to be ambitious, genre-defying, visually stunning, musically rich, and emotionally profound—but still manages to upset a certain corner of critics who just couldn’t handle it.

    It’s almost funny. A flawless adaptation of an opera and a novel, a career-defining performance from Karla Sofía Gascón, a soundtrack that actually understands how to integrate music into narrative (instead of just dumping it on top like an afterthought), and a director at the peak of…

  • The Brutalist

    The Brutalist

    ★★★★½

    Some films tell a story, and others build one—layered, structured, carefully measured like the weight of memory pressing against time. The Brutalist doesn’t unfold in a rush; it waits, lingers, lets the walls settle before revealing what’s inside.

    This is not just a film about architecture—it’s about what remains standing after war, after displacement, after ambition has both built and eroded a life. It’s about the spaces we occupy, the things we create, and the legacies we leave behind when…

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