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Dirty Harry 1971
I really enjoy angry Eastwood, the bad ass who is critic with the law, but with a few words. I could say his angry face, his clenched jaw and his magnum makes the movie, but Don’s gaze is fundamental. There are three magnificent shoots that makes Dirty Harry not only a furious action/ western movie, but a terror one: the stadium’s sequence (how did Siegel film it? Did already exist drones?), the bridge sequence and the last one: His monologue…
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The Criminal Life of Archibaldo de la Cruz 1955
Little dirty man, Buñuel. Besides he is a genius, his hand remains steady and powerful.
Is the box music a significant? Once Archie embraces his desire, his path is moved or is cleared. He can exhume his fear (an obsession) and then embrace, lightly, his own desire.
I really admire the way he can put together sensations and concepts like death, sexuality, morbidity, desire and bourgeois life in an entertaining story. Also, there is something powerful in the way he…Translated from by
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The Disciple 2020
What kind of value does art have? The universal dichotomy between tradition and modernity. What happened when someone bets everything on art and fails? What is failure?
A life dedicated to music. The faith, the doubts, the losses, the discipline, loneliness and decision. Chaitanya Tamhane focuses on many things happening at the same time in screen. Also, a repetitive and vivid use of music; a mantra that allow us to immersive ourselves.Translated from by -
The Invisible Collection 2009
A essay? A poem? Azevedo made a powerful and a complex piece of work with a little resources. Simple and brilliant. What Is memory? What is history and narrations? What Is Time? I felt that I was at home, or at least, in a very peaceful place. The last sequence is a dialectic image; Is time, rythm and space and narration. What Is cinema? The las sequence of this work.
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