Despite a lot of potential in the subject matter, the film fell slightly flat for me. The Saftie Brothers made this kind of emotionally-draining, realist, NYC-based film work effortlessly almost a decade ago.
Anora being desensitised by her work and deafened to her own emotions and sexuality is something that can be gleaned from the dialogue in the first fifteen minutes. I didn’t need to see it fleetingly after two and a half hours.
Mikey Madison is incredibly good though and her performance was the highlight of this film.