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Werckmeister Harmonies 2000
Janos represents the pure human nature. driven by subconscious curiosity, as well as manmade duty. the opening scene embraces how even though some people might lead a simple life, they still serve their part in a grander scheme, even though they might be unaware of it. drunken men performing something as otherworldly as a solar eclipse, shows how the universe mirrors itself. everything, no matter its size, is part of the same creation.
the arrival of an attraction in the…
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Apprehension 1982
fairly ambiguous work that tackles multiple thematics. next to the obvious view on life's structures and norms that crumble when faced with its temporarity, it also raises questions about how different forms of relationships are affected by the passage of time. almost inevitably, the image of a ticking clock is recurring occasionally, yet despite its arguably obviousness it does not feel as on the nose as one would expect.
when faced with the possibility of her approaching demise, the protagonist…
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Models 1999
ironic how a film that almost entirely consists of shots where the camera is replacing a mirror starts with a shot where a characters face is hidden by a mirror.
Ulrich Seidls films are a form of observation. the audience observes characters living their (chances are high that it's awful) life and he picks out certain, often reoccuring, scenarios within a time span of their life to give the audience a picture of what their life is based upon and…
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Terror 2000 1992
terror 2000 seems to be the peak of offensive satire, only existing for the reason to provoke, disgust, engross and disturb by using an abnormal amount of racism, sexism, violence, gore, rape and every other political incorrect thing in existence. this may sound like it could be hella hilarious and it definitely had the potential to be so, it just wasn't. I didn't find it unfunny because I was offended, rather because it's probably only funny if you're on drugs…
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